divisare

  • GIORGIO GRASSI
  • GIORGIO GRASSI
  • GIORGIO GRASSI
  • GIORGIO GRASSI
  • GIORGIO GRASSI
  • GIORGIO GRASSI
  • GIORGIO GRASSI
  • GIORGIO GRASSI
  • GIORGIO GRASSI
  • GIORGIO GRASSI
  • GIORGIO GRASSI
  • GIORGIO GRASSI

GIORGIO GRASSI

HOUSE FOR FOUR BROTHERS MIGLIANICO 1978

From the Publisher

The necessity for this series is to be found in the following consideration: that the discourse of the architectural project is today of an extreme solitude. This discourse is spoken, perhaps, by thousands of architects (who knows?), but warranted by no one; it is completely forsaken by any discourse on constructed space: ignored, disparaged or derided, severed not only from authority but also from the mechanisms of authority (universities, publishing, tenders). The design language of recent years has been dragged into the digression of the untimely and exiled from all forms of frequentation with the most qualified discourses on contemporary architecture. We feel there is no recourse but to become the site of an affirmation, to again assert the central importance of the project. That affirmation is, in short, the subject of this series of publications.

Save this Book in your Reading List
GIORGIO MURATORE  ON GIORGIO GRASSI AND DARIO PASSI
LOUIS I. KAHN  SALK INSTITUTE LA JOLLA 1959  PHOTO ESSAY BY AGNÈS CLOTIS
LOUIS I. KAHN NATIONAL PARLIAMENT OF BANGLADESH 1962  PHOTO ESSAY BY CEMAL EMDEN
BUCHNER BRÜNDLER ARCHITEKTEN LILITT BOLLINGER STUDIO   UMBAU KIRSCHLAGER NUGLAR 2018 PHOTO ESSAY BY RORY GARDINER
2001. MJP. DIFFERDANGE PHOTO ESSAY BY MAXIME DELVAUX
LOUIS I. KAHN THE ARTS UNITED CENTER IN FORT WAYNE 1959  PHOTO ESSAY BY CEMAL EMDEN
×