divisare

  • ÁLVARO SIZA
  • ÁLVARO SIZA
  • ÁLVARO SIZA
  • ÁLVARO SIZA
  • ÁLVARO SIZA
  • ÁLVARO SIZA
  • ÁLVARO SIZA
  • ÁLVARO SIZA
  • ÁLVARO SIZA
  • ÁLVARO SIZA
  • ÁLVARO SIZA

ÁLVARO SIZA

LEÇA DA PALMEIRA SWIMMING POOL 1966

PHOTO ESSAY BY NICOLÒ GALEAZZI

From the Publisher

From its early days, architectural photography has been a fundamental tool for the documentation of architecture, the city and the landscape, communicating with a vast audience. But things are changing rapidly today and the role of photographers is becoming more complex: their images do not only document, but to an increasing extent also interpret constructed space. There is less discussion and less writing about contemporary architecture. The visual languages are quickly filling the gap. Narrations in images by photographers are taking on a fundamental role, day by day, for the comprehension and transmission of contemporary architecture. These very personal interpretations can have a decisive impact on our perception of constructed space. This series examines architectural photographers who through their “lenses” are able to offer us privileged “viewpoints” for a better understanding of the space in which we live.

Save this Book in your Reading List
GIOVANNI MUZIO CASE BONAITI E MALUGANI MILANO 1935  PHOTO ESSAY BY LUCA SIRONI
JAN DE YONG   HOUSE WITH STUDIO. SCHAIJK 1956 PHOTO ESSAY BY KIM ZWARTS
DONATO BRAMANTE TEMPIETTO DI SAN PIETRO IN MONTORIO ROMA 1510 PHOTO ESSAY BY NICOLÒ GALEAZZI
GEORG SIMMEL  ROME, FLORENCE, VENICE
DARIO PASSI  LÜTZOWPLATZ  BERLIN 1981
GIORGIO GRASSI  HOUSE FOR FOUR BROTHERS MIGLIANICO 1978
×