Maiji Mountain Visitor Center
The Maiji Mountain, surrounded by mountains, stands out as a unique peak. The history of cave excavation since the Former Qin Dynasty on the cliff tells the story of the benefactor's faith and the craftsman's piety, leaving behind a masterpiece of exquisite Buddhist sculpture art. The Maiji Mountain Visitor Center has built a bridge connecting the past and the future with the appearance of red sandstone, a circular pattern, a space of changing light and shadow, and rich and detailed displays.
Climbing onto the cliff roadway of Maiji Mountain Grottoes, one can overlook the surrounding mountains, which forms a huge circumambulatory structure with numerous undulating peaks. Within sight, there are several mountain structures similar to Maiji Mountain, and Maiji Mountain is just the largest of these. The mountains stretch across the earth, calm and steady and form a series of rivalries, one slope after another and one ring after another, ultimately forming steep cliffs at the nodes.
The Maiji Mountain Grottoes and surrounding historical relics are historical witnesses of the long-term integration and convergence between the ancient Central Plains region and the ancient western region. In this process, the introduced Buddhism collided and interacted with the original culture of the Central Plains, and had a profound impact on the spiritual life of countrymen.
To explore the significance of Maiji Mountain culture and art, we must first consider the influence of Buddhism, and design begins from here. Circumambulatory structures are the most common and primitive form of space used for ceremonial and commemorative purposes after the awakening of human consciousness, corresponding to the Buddhist concept of reincarnation. All living things, if they do not seek 'liberation', will forever be in the cycle of life and death in the 'Six Paths', with no end. Of course, these concepts and annotations have undergone changes through cultural integration in the long river of history, especially in the process of communication and integration with the native culture of the Han ethnic group, and even in the process of modernization. They have surpassed the original meaning of Buddhism and have a more contemporary interpretation, which will foreshadow the realistic power of sustainable development and affect our life experience.
The toroidal space is the fundamental feeling of the architectural experience. Meanwhile, the undulating mountain terrain of the surrounding natural environment is integrated into the overall design, enabling the humanistic sentiment and the power of the environment to overlap and form an energy field with contemporary spirit. It acts as a participant in the public space with environmental power, and extends this momentum throughout the entire site design.
The circumambulatory structure is divided into six volumes, all of which are in trapezoidal shapes and interpenetrate each other. "Gaps" appear at the junctions of the volumes. From the outside, these can be regarded as the nodes of the shape, while inside, they form openings for outdoor light. The light shines into the building with a mysterious power and serves as a summons that guides the audience from one space to the next. The various exhibition functions of the visitor center unfold continuously under such spatial arrangements.
The interior of the building is unfolded under such special light guidance. The main entrance of the building faces the west side road, and under the collision of two volumes, a gray space is formed. Here, you can directly see the courtyard in the circumambulatory structure, with the mural content from the Maiji Mountain Grottoes presented by a metal plate painted ceiling at the top. The colors are both bright and quaint, giving people a strong cultural atmosphere.
From here, you enter the interior of the center and walk clockwise along the gentle slope. First, there is the reception space, followed by the Digital Maiji Mountain front hall, 5D digital cinema, performance theater front hall, exhibition and leisure area, and finally the cultural and creative center, totaling six themed spaces. At the same time, this space is also above the departure front hall, completing the closed-loop of the circulation.
The biggest feature of interior is that it consists of six relatively enclosed and huge column free spaces separated by six trapezoidal cores, four of which serve as structural support and seismic resistance, with various function spaces arranged in each core. The six freely arranged spaces and colors are inspired by the harmonious integration of Central Plains culture in the eastern Hexi Corridor with Buddhist culture.
There are no obvious edges or corners in the ring-shape, it is a perfect shape with strong inclusiveness, no clear directionality or boundary limitations, and can accommodate and accept various things. Just as Buddhism accepts sentient beings with a broad mind, the shape of the building also symbolizes inclusion for tourists from different cultures and backgrounds, providing a space for harmonious coexistence.
The fluent toroidal streamline gives a soft and soothing feeling, which can make people feel calm inside, as if they are outside the hustle and bustle of the world, creating an environment that is in line with the peaceful atmosphere pursued by Buddhist practice, allowing tourists to feel inner peace when entering it. It has created favorable conditions for communication and interaction among tourists, greatly enhancing their travel experience and becoming a landmark building that combines cultural deposits and modern functions.
