In the framework of the residency program provided by both the Danish Statens Kunstfond and the Utzon Foundation Palma ‘s project at Can Lis invites artists and architects to engage with Utzon ‘s legacy, using the central patio as a laboratory for creative expressions. Each participant curates a collection or makes observations, contributing to a broader understanding of Utzon’s work and the architectural beauty of Can Lis.
Jørn Utzon’s encounter with the ancient ruins of Mayan and Zapotec temples in 1949 profoundly influenced his architectural vision. Particularly captivated by the platforms or plateaus upon which these temples were constructed, Utzon’s philosophy was deeply shaped by the majestic settings of Monte Albán in Oaxaca. These platforms, appearing as independent entities floating above the rainforest, inspired Utzon to conceptualize spaces that create new horizons and perspectives.
Monte Albán, a Zapotec site in Oaxaca, is not only a source of architectural inspiration but also a symbol of cultural richness. The discovery of Monte Albán’s treasure in 1932, comprising over 230 exquisite objects made from sacred materials, shifted perceptions of pre-Hispanic art from monumental expressions to the intricate craftsmanship of smaller, detailed objects. This discovery emphasized the importance of detailed artistry, which resonates with the project’s aim to explore new perspectives through curated collections , aiming to create a new horizon at Can Lis, transforming it into a space of exploration, dialogue, and artistic collaboration.
Participants:
Angel Cobo (BIAN), Antón Gayoso, Bullut Tümer, Carmen Bentabol (BIAN), Christian Darius, Gonzalo Peña (KRI), Héctor Termenón, Heloisa Jennings, Jorge Mañas, Laura Fernández, Maja Pihl, Maite Pérez, Mario Sierra, Miguel Fernández-Galiano (NULA.Studio).
