White Cube
Designed by the Office of Metropolitan Architecture (OMA), this White Cube is a central element of the Lusanga International Research Centre for Art and Economic Inequality (LIRCAEI). Located in the heart of the plantation system and at the crossroads of global inequality and climatological change, the research center aims to become a vector for a social and ecological shift. LIRCAEI is a joint initiative of the plantation workers' cooperative Cercle d'art des travailleurs de plantation congolaise (Congolese Plantation Workers Art League, or CATPC)
and the Institute for Human Activities (IHA).
The festive and solemn inauguration of the White Cube will mark the launch of the five-year research program of LIRCAEI. In Lusanga, the White Cube will attract both the capital and the visibility needed for plantations workers to buy back land and develop a new economic and ecological model on-site: the post-plantation.
With the establishment of LIRCAEI, the iconic modernist White Cube will be recontextualized in the setting that has historically underwritten its development. In economic terms, plantations have funded not just the building of most European and American infrastructure and industries, but also that of museums and universities. On an ideological level, the violence and brutality unfolding on one side—the plantation zones—has informed and haunted the civility, taste and aesthetics championed at the other: the White Cubes. By colliding these two opposite poles of global value chains with each other, LIRCAEI aims to overcome both the monoculture of the plantation system—that exhausts people and the environment and the sterility of the White Cube—a free haven for critique, love, and singularity, that, more often than not, reaffirms class divides.
To mark the opening of the new research program centered on the definition and implementation of the post-plantation, CATPC is curating an exhibition on the interconnectedness of art, ecology and the economy. CATPC’s newest works will be unveiled alongside contributions by other prominent Congolese and international artists. The exhibition will serve to activate the White Cube and put it in the service of Lusanga's people. The opening weekend will also feature a concert, public discussions, a film program and a ceremony celebrating the repatriation of the White Cube. The recently published monograph dedicated to
CATPC’s work, edited by Sternberg Press, will also be presented during that weekend.
The White Cube will include an internet platform that connects its research to plantations and museums worldwide. Plugged into these international networks, the White Cube will transform the former palm oil plantation of Lusanga into a legitimization machine, investigating and relaying the strategies of resistance alongside visions for the future of plantation workers globally. Within five years, LIRCAEI seeks to have designed the blueprint for a new economic model in which art serves as an engine to start inclusive and ecological post-plantations throughout the Congo.
