divisare

  • WRITING BY IMAGES, THINKING BY IMAGES
  • WRITING BY IMAGES, THINKING BY IMAGES
  • WRITING BY IMAGES, THINKING BY IMAGES
  • WRITING BY IMAGES, THINKING BY IMAGES
  • WRITING BY IMAGES, THINKING BY IMAGES

WRITING BY IMAGES, THINKING BY IMAGES

LUCA GALOFARO, BENIAMINO SERVINO, TAREK ELHAIK,

ARISTIDE ANTONAS, PABLO CASTRO

From the Publisher

Issue #223 is part of box set #33, collecting 4 unseen visual narratives by architect Luca Galofaro
ABOUT THE AUTHORS

LUCA GALOFARO is an Italian architect. He was a founder member of the office IaN+ (1997-2015), before opening the office LGSMA with Stefania Manna.
Graduated at the Università La Sapienza in Rome, he is associate professor at Università di Camerino - SAAD Ascoli Piceno and founder member of the research collective CAMPO.

lgsma.it
the-booklist.com
campo.space

BENIAMINO SERVINO “architect in Caserta” is undoubtedly one of the most interesting authors on the Italian architecture scene over the last 20 years.

beniamino-servino.divisare.pro

TAREK ELHAIK is a Ph.D. Anthropologist, associate professor at the University of California, Davis. His fieldwork focuses on contemporary curatorial platforms and the art world in Mexico City.

antimagelab.com

ARISTIDE ANTONAS is a Greek architect, writer, visual artist. His principal topics of interest are “protocols as architecture”, “infrastructure of the domestic sphere”, “stability from the exaggeration of data flow”.

aristideantonas.com

PABLO CASTRO is an Argentinean-born architect and co-founder of the award-winning architectural design firm Obra Architects in New York City, Beijing, and Seoul.

obraarchitects.com

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DARIO PASSI  LÜTZOWPLATZ  BERLIN 1981
NAMELESS ARCHITECTURE  RW CONCRETE CHURCH BYEOLLAE-DONG 2013  PHOTO ESSAY BY KYUNG ROH
CHRIST & GANTENBEIN NATIONAL MUSEUM ZURICH 2016  PHOTO ESSAY BY RORY GARDINER
GIOVANNI MUZIO - CÀ BRUTTA MILANO 1922 PHOTO ESSAY BY LUCA SIRONI
JOSEP FERRANDO  HOUSE E+M SANT CUGAT DEL VALLÈS BARCELONA 2014
LOUIS I. KAHN PHILLIPS EXETER ACADEMY LIBRARY 1965  PHOTO ESSAY BY CEMAL EMDEN
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