divisare

  • LEONARDO FINOTTI
  • LEONARDO FINOTTI
  • LEONARDO FINOTTI
  • LEONARDO FINOTTI
  • LEONARDO FINOTTI
  • LEONARDO FINOTTI
  • LEONARDO FINOTTI
  • LEONARDO FINOTTI
  • LEONARDO FINOTTI
  • LEONARDO FINOTTI
  • LEONARDO FINOTTI
  • LEONARDO FINOTTI
  • LEONARDO FINOTTI
  • LEONARDO FINOTTI
  • LEONARDO FINOTTI
  • LEONARDO FINOTTI
  • LEONARDO FINOTTI
  • LEONARDO FINOTTI
  • LEONARDO FINOTTI
  • LEONARDO FINOTTI
  • LEONARDO FINOTTI

LEONARDO FINOTTI

RIO WATERFRONTS

ROBERTO BURLE MARX

From the Publisher

Copacabana Beach’s vast sweeps of mosaics evoke the Brazilian spirit with its seductive lines slinking up and down the boardwalk, generating graphic patterns always various, multicolored, and multitextured.

Issue #182 is part of Box Set #26, dedicated to the photographic journey by Brazilian photographer Leonardo Finotti into five landscapes designed by Roberto Burle Marx around Brazil from the 1940s to 1990s, interpreting a range of scales of Burle Marx's work from private gardens to urban squares and large-scale public projects.

Save this Book in your Reading List
ARNE JACOBSEN  ST. CATHERINE’S COLLEGE OXFORD 1962  PHOTO ESSAY BY DANIEL HOPKINSON
GIORGIO MURATORE  ON GIORGIO GRASSI AND DARIO PASSI
DARIO PASSI  PIAZZA MANCINI  ROME 1981
ÁLVARO SIZA  LEÇA DA PALMEIRA SWIMMING POOL 1966  PHOTO ESSAY BY NICOLÒ GALEAZZI
LOUIS I. KAHN NATIONAL PARLIAMENT OF BANGLADESH 1962  PHOTO ESSAY BY CEMAL EMDEN
GIO PONTI: A CRITICAL CONSIDERATION BY JOSEPH RYKWERT
×