divisare

  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG

SU SHENGLIANG

WUYISHAN BAMBOO RAFT FACTORY

TRACE ARCHITECTURE OFFICE

From the Publisher

Architectural photography is now one of the most important mediums for recording, documenting, communicating and sharing architecture and constructed space. It is able to convey the dimensions and character of a place, as well as the emotions associated with it. An architectural publication would be unthinkable without such images.

This issue of DIVISARE BOOKS is part of series investigating the contemporary realm of Chinese architecture and the multiple ways it is reinventing a recognizable cultural common ground. An architectural journey driven by the lens of outstading photographers and their visual narrations of built spaces, strong materiality and intangible feelings.

The photo essay by SU Shengliang explores the architectural space of a manufacturing workshop in Shandong province, China, designed by TAO (Trace Architecture Office).

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PICHARCHITECTS: SANT PAU RESEARCH INSTITUTE PHOTO ESSAY BY ALDO AMORETTI
DARIO PASSI  LANEROSSI AREA  SCHIO 1980
LEON BATTISTA ALBERTI THIS THEN IS THE ARCHITECT
LOUIS I. KAHN NATIONAL PARLIAMENT OF BANGLADESH 1962  PHOTO ESSAY BY CEMAL EMDEN
GIORGIO GRASSI  HOUSE FOR FOUR BROTHERS MIGLIANICO 1978
LOUIS I. KAHN THE ARTS UNITED CENTER IN FORT WAYNE 1959  PHOTO ESSAY BY CEMAL EMDEN
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