divisare

  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG
  • SU SHENGLIANG

SU SHENGLIANG

WUYISHAN BAMBOO RAFT FACTORY

TRACE ARCHITECTURE OFFICE

From the Publisher

Architectural photography is now one of the most important mediums for recording, documenting, communicating and sharing architecture and constructed space. It is able to convey the dimensions and character of a place, as well as the emotions associated with it. An architectural publication would be unthinkable without such images.

This issue of DIVISARE BOOKS is part of series investigating the contemporary realm of Chinese architecture and the multiple ways it is reinventing a recognizable cultural common ground. An architectural journey driven by the lens of outstading photographers and their visual narrations of built spaces, strong materiality and intangible feelings.

The photo essay by SU Shengliang explores the architectural space of a manufacturing workshop in Shandong province, China, designed by TAO (Trace Architecture Office).

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MAHENDRA RAJ & RAJ REWAL HALL OF NATIONS AT PRAGATI MAIDAN NEW DELHI 1972  PHOTO ESSAY BY ARIEL HUBER
GIOVANNI MUZIO CASE BONAITI E MALUGANI MILANO 1935  PHOTO ESSAY BY LUCA SIRONI
NAMELESS ARCHITECTURE  RW CONCRETE CHURCH BYEOLLAE-DONG 2013  PHOTO ESSAY BY KYUNG ROH
LOUIS I. KAHN PHILLIPS EXETER ACADEMY LIBRARY 1965  PHOTO ESSAY BY CEMAL EMDEN
2001. MEDIK. KAYL PHOTO ESSAY BY MAXIME DELVAUX
6A ARCHITECTS  JUERGEN TELLER STUDIO LONDON 2016  PHOTO ESSAY BY JOHAN DEHLIN
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