divisare

  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ
  • RASMUS HJORTSHØJ

RASMUS HJORTSHØJ

NAOSHIMA FERRY TERMINAL

SANAA

From the Publisher

DIVISARE BOOKS nos. 37 to 42 are visual essays by Danish architect photographer Rasmus Hjortshøj who, in his own proverbial desaturated colour palette, pays tribute to the architectures of Herzog & de Meuron, Toyo Ito, MVRDV, SANAA, and the landscape in the West Coast of Jutland.

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LOUIS I. KAHN INDIAN ISTITUTE OF BUSINESS AHMEDABAD 1962  PHOTO ESSAY BY CEMAL EMDEN
2001. JOYPARK. RUMELANGE PHOTO ESSAY BY MAXIME DELVAUX
LOUIS I. KAHN THE ARTS UNITED CENTER IN FORT WAYNE 1959  PHOTO ESSAY BY CEMAL EMDEN
BRUTHER  NEW GENERATION RESEARCH CENTER CAEN 2015  PHOTO ESSAY BY MAXIME DELVAUX
ARNE JACOBSEN  ST. CATHERINE’S COLLEGE OXFORD 1962  PHOTO ESSAY BY DANIEL HOPKINSON
JACK BERTOLI LA TULIPE GENEVA 1976 PHOTO ESSAY BY JOHANNES MARBURG
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